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Personally, I’ll be going with C major, because of two small details. First, the song ends on a C chord, which gives us a clue as to how the writer hears the song. Next, Halsey is singing “blue notes” from the C blues scale, which is something you can trust. But because the melody notes and loop notes make an A minor chord in first inversion, you could also hear that as an Am chord, and so an A minor tonality.

Faders Up II is designed for producers with some hands-on mixing experience who are looking to expand their arsenal of skills and approaches, especially when it comes to working with a larger variety of artists and clients. You should be ready and excited to get your feet wet working on a set of audio tracks provided by the course (and that you bring in yourself).

The last of our bunch today, Niccolò Piccinni was born in Bari in 1728. He lived a prolific life as a composer in his day, producing operas, symphonies, concertos and chamber music, although today his works are sadly, rarely performed. His operas in particular, of which he composed around eighty, were performed frequently in Rome and abroad in most major European cities.

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Whether they’re pushing the contemporary boundaries of songcraft in Songwriting for Producers or laying out crushing bangers in our brand new The Art of Hip-Hop Production courses, or carving their own path in a custom Headliners Club session, each one of these students created something to be proud of. We hope you enjoy some new music from these incredible Soundfly artists.

Get into the writing room with confidence and excitement next time you’re working with a total stranger on a co-writing song project with these 7 tips.

If we want to take this a step further and become experimenting with even more unusual sounds, we can build modes on the two other Minor scales: The Harmonic and Melodic Minor scales. The resulting modes would be the following:

Beyond training for classical and jazz performance, it’s common now to be learning music mostly on our own. But perhaps we need to start considering how impactful the tools themselves can be on our educational path. 

“[Bariolage] is a common technique to build tension near the end of a long violin piece and there are numerous possible inspirations for this particular passage in earlier chaconnes. In the Bach Chaconne, however, given that right mood and right performer, it matters not at all if one knows what a bariolage is or where it came from. What matters is that it sounds like a kind of outcry — not the sad little two-note sighs we have been taught to listen for in Mozart or Chopin, but long, hoarse-throated, mascara-streaked, Jessye Norman — collapsing-in-a-heap groans. Once you’ve felt this passage that way once, it is hard not to feel it that way every time you hear the Chaconne, and even to demand it, judging performers on the Daniel Day-Lewis scale of how many forehead veins they sound like they’re about to pop.”

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Harmonically, the “majorness” of the V chord is pretty weak, as you can barely hear the major third. And yet the harshness of the iiº chord in the intro is masked by the sweet flute-like tone. Lots of anomalies. Another anomaly is just how fast this song rose in the charts, and how even faster it then dropped, going from #5 to #60 to #91, and then who knows where.

It’s like having a “personal trainer for your music,” with a series of musical workouts, a whole lot of feedback and support, and the chance to accomplish something you’ll be proud of. Explore Headliners Club today and click here to tell us more about your musical goals. We’d love to help you reach them! 

One of the biggest challenges that bedroom producers and songwriters face is maximizing their time so that they can create and release music in a timely fashion and own their creative responsibilities as work responsibilities. It’s essential for producers and home recording artists these days to manage their time so they can both work as much as possible and get as much work done as possible in that time.

Well, depending on how comfortable you are, inviting guests into your closet where you may or may not have clothes could be a difficult task. Try to find a spot that is softly furnished and quiet. Bars, for example, are not ideal for interviews. You’ll also ideally need a second microphone if the premise of your podcast is interviews. This complicates things slightly and you may have to delve a little deeper into your pockets. Be aware of your acoustic surroundings; it will save you time and money in the long run.

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