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Good music is whatever you want it to be! But because of streaming services like Spotify and the affordability of distribution for independent artists, more people are able to make their voices heard rather than a small number of people the record labels deem worthy of influencing our youths’ ears.

How can teachers, mentors, coaches, peers, colleagues, and supervisors help create environments in education where at every stage students are applying the knowledge they just learned in real time? This is precisely where technology can help.

Find out once and for all how streaming and sales royalties work — and how to get the money you deserve — in Soundfly’s free course with Ari Herstand, How to Get All the Royalties You Never Knew Existed. 

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On this day, 57 years ago, James Brown and his Famous Flames recorded what would become one of the most earth-shattering funk and soul albums of all time.

All of Soundfly’s mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them. 

This autumn, we’re launching a brand new mentored online course teaching you how to get your home-recorded vocals sounding like the pros, check it out!

It’s because of these trap doors (motivation, time management, confidence, workflow optimization, proper space and acoustic considerations, gear availabilities, etc.) that musicians with big ideas and significant dreams often fall short of reaching their true home recording potential. So we decided to make next week, June 17-22, 2019, all about that — next week is Home Recording Week on Soundfly.

This autumn, we’re launching a brand new mentored online course teaching you how to get your home-recorded vocals sounding like the pros, check it out!

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Like any piece of machine-learning tech, you’re bound to run into some bugs and kinks. What problems have appeared in beta versions of the tech that have needed to be worked out in further iterations? 

Like the tonality, the tempo here is also slippery. I’m calling it 119, and not 59 BPM. Usually the snare on the 2 and 4 is the king that decides meter in pop and rock, so it’d be 59 BPM. However, the lyrics are delivered so quick that I just gotta go with the more double-time feel. It’s right in the BPM sweet spot where either tempo label works. Last, we have some creative treatments of the choruses. The first chorus is really a half-chorus with an added measure (very cool!), and then it’s a regular chorus when it comes back around. And then when it finally comes back around at the end, you gotta call it “C2” (chorus variation) because of how it’s modified to act as the song’s outro.

Few sources of songwriter income are as consistent and dependable as public performance royalties. These are royalties that songwriters earn any time their songs are played in public, such as performed live at a concert, aired on TV/radio, and even streamed on services like Spotify, Pandora, or Apple Music.

The fact that among all modes, these two were chosen as the pillars of our system, resulted from a predominance in the use of these two scales from the Baroque Period onwards. To put it differently, the modes above share all the same notes, but since they start from a different degree of the major scale, each mode has a slightly different construction, and feel to it.